Labyrinth - 120x200cm
$ 10,290
Labyrinth
Original painting, 120x200cm
by Conchita Carambano
View this work at SOHO Galleries in Woollahra, Sydney, or enquire online for pricing, delivery and installation.
See more abstract art, or more by Conchita Carambano.
Or call 0460 009 991 · email the gallery
About the artist
Conchita Carambano
Australian Artist
'Being an artist is my life, and in no way could I imagine being, or doing, anything else."
Whenever I face a blank piece of large, good quality paper I know right away that I need to touch it and feel the quality – open the palettes, squeeze the paint tube and watch the vibrant, muted oils, acrylic or just pastel chalk in my hand, and know that this beautiful piece of white paper will soon come alive in the form of a drawing or painting.
I’ve been painting since I left school, where immediately after, I attended art school and thought what a wonderful place this is. I knew right away that this is what I wanted to do for the rest of my life – paint and create. I experience both beautiful and sad things through everyday life and these experiences generate a strong need to paint. Using colour through this wonderful medium, I express what I see and feel, and in turn I learn and discover new ways in which to express what I feel and the ideas that enter my mind.
When I start a painting, I focus on an idea or experience I once encountered, and let my feelings take control. At times the reaction I get is that the painting starts to take on a completely new direction to the initial one I had in mind. It takes on its own character as it were, however I am its creator and to this extent I have complete control over the end result. Because I detect this ‘character’, I’m able to detect the new direction that the painting is taking and stay in complete control of its final outcome. I feel this is important to an artist. I can honestly say that when I paint a painting based on a sad feeling, I can always look at it and find it very beautiful and rewarding.
I’m content in the realisation that everyone that sees one of my works, do so through different interpretations, thus giving it a new ‘feeling’ to the original that I intended. I love the sense of knowing that my work takes on different interpretations and appearances when hung in unknown homes and offices. It becomes more a child born to me.
