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My latest abstractions are about places. I start with memory (often of the Hawkesbury River – a place I explored as a child) and the painting evolves. I paint colour fields that are inhabited with spontaneous gestures, these marks are highly personal but I also appropriate visual ideas gleaned from the graffitied walls of the inner city and construction sites of the suburbs.

I am also drawn to the emotive qualities of Sydney’s waterways – but there is always the hum of the city in the background. The paintings connect me psychologically to nature, the emotions and dialogue are intuitive and convey a sense of belonging.

Philip Stallard’s abstractions have spanned the past 15 years; his latest work combines spontaneous action painting with the landscape. In this series, Philip has loosened up and is exploring the interplay between abstraction, landscape and urban graffiti.

The work has a colouristic rigour and excitement that engages the viewer on many levels, there are Sydney urban landscape references and he is just as comfortable with a spray can, chisel or a brush when making marks.

Philip has had successful solo exhibitions yearly over the past 20 years in Sydney, Melbourne and Brisbane; he has also exhibited internationally and has completed many commissions.

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