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"CONTEMPORARY WALL RELIEF "
by ANTONIO COLANGELO
25-05-2012 - 27-05-2012

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" Exhibiting at Art Melbourne "
by GROUP EXHIBITIONS SOHO GALLERIES
25-05-2012 - 27-05-2012

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"CONTEMPORARY PAINTINGS"
by GRAEME BALCHIN
26-05-2012 - 27-05-2012

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"MICHELLE BRETON ABSTRACT PAINTINGS "
by
MICHELLE BRETON


20-04-2012 - 12-05-2012


MB L'AMOUR TOUJOURS TOUJOURS
( MICHELLE BRETON)

Exhibition Comments:

MICHELLE BRETON - ABSTRACT PAINTINGS

Contemporary Abstracts Exhibition

There can be no present without a past. The past has a place in my work, it engages me and gives me a sense of the future, I want to acknowledge it in order to seek out my place in the present. Painting for me is similar to an archaeological excavation, but in reverse: rather than digging to discover the past, I am building layers to reveal it.

When I first started painting with my teacher Kerry Johns, I was extremely moved by the process. I had no idea what I was attempting to do, but my connection to the paint and the surface (be it canvas, paper or board) provided me with the freedom to express myself. It was a liberating experience, reminding me of dancing, which played a big part in my childhood in Adelaide. There is a similarity for me between dance and painting, they are both forms of expression without the use of words or voice. But what is expressed can be heard just as loudly as any spoken word.

Working in the Blue Mountains was a wonderful beginning, painting still lifes and landscapes in a superb setting. But I wanted more, abstract was calling me. I needed to paint from another source than what I was seeing, and after completing my degree at RMIT in Fine Arts and Majoring in Painting I was on the path of abstraction. In 2006 I had my first solo show in Melbourne. In 2008 I lived and painted in Berlin and Italy.

It’s now 2011 and I have returned to Melbourne from the Blue Mountains – again – where I have a new studio on a different side of town.

Michelle Breton  2011.

MICHELLE BRETON EXHIBITION

Artist Statement:

MICHELLE BRETON ARTIST PAINTER

ABSTRACT PAINTINGS April 21 to May 11

Exhibting Soho Galleries and Art Melbourne 

MICHELLE BRETON EXHIBITION

There can be no present without a past. The past has a place in my work, it engages me and gives me a sense of the future, I want to acknowledge it in order to seek out my place in the present. Painting for me is similar to an archaeological excavation, but in reverse: rather than digging to discover the past, I am building layers to reveal it.

When I first started painting with my teacher Kerry Johns, I was extremely moved by the process. I had no idea what I was attempting to do, but my connection to the paint and the surface (be it canvas, paper or board) provided me with the freedom to express myself. It was a liberating experience, reminding me of dancing, which played a big part in my childhood in Adelaide. There is a similarity for me between dance and painting, they are both forms of expression without the use of words or voice. But what is expressed can be heard just as loudly as any spoken word.

Working in the Blue Mountains was a wonderful beginning, painting still lifes and landscapes in a superb setting. But I wanted more, abstract was calling me. I needed to paint from another source than what I was seeing, and after completing my degree at RMIT in Fine Arts and Majoring in Painting I was on the path of abstraction. In 2006 I had my first solo show in Melbourne. In 2008 I lived and painted in Berlin and Italy.

It’s now 2012 and I have returned to Melbourne from the Blue Mountains – again – where I have a new studio on a different side of town.  Michelle Breton  2012

 


 

See MICHELLE BRETON's CV

View all works in this exhibition by MICHELLE BRETON
View all work by MICHELLE BRETON