Exhibition
Comments:
LAND IMAGES
NEVILLE PILVEN - AUSTRALIAN LANDSCAPE PAINTINGS
Exhibiting Level One Open Gallery & ART MELBOURNE
During the warmer months Melbourne artist, Neville Pilven, spends a lot of time painting at his cottage on the fringe of the Wimmera in Western Central Victoria. His cottage-studio is located in a quiet rural area once mined for gold. Pilven’s semi-realist landscape paintings border on the poetic, with historic folk references employed as pictorial iconography; an old tank, a remnant of a fence, or a dam. His sombre palette and a sense of emotional connection to the landscape, veil a deeper questioning upon the forces that shape nature and our place as people in the landscape—a theme that resonates with the landscape paintings of Russell Drysdale.
Born in 1939, Pilven studied at the National Gallery Art School and the George Bell School (drawing). In the mid-1960s, Pilven left Australia for several years of European travel, study and painting, to England, Spain and Hydra Island, Greece. In 1972, he studied printmaking at Morley College, London, before returning to Australia in 1973, to settle in Melbourne. He was a finalist in the John McCaughey Invitation Art Prize, 1979, National Gallery of Victoria. Neville has held twenty solo exhibitions, many with leading Melbourne galleries. He has undertaken commissions for Myer, Telstra Australia and National Panasonic. His work is in collections including Artbank, Latrobe University, Ansett, Westpac, National Bank, Telstra Australia, Ridley, Potter Warburg and private collections in UK, USA, Australia and Japan.
Artist Statement:
NEVILLE PILVEN
ARTIST PAINTER
EXHIBITING LEVEL
ONE OPEN GALLERY & SOHO
ANNEX ROSEBERY
During
the warmer months Melbourne
artist, Neville Pilven, spends a lot
of time painting at his cottage on the fringe of the Wimmera in Western Central
Victoria. His cottage-studio is located in a quiet rural area once mined for
gold. Pilven’s semi-realist landscape paintings border on the poetic, with
historic folk references employed as pictorial iconography; an old tank, a
remnant of a fence, or a dam. His sombre palette and a sense of emotional
connection to the landscape, veil a deeper questioning upon the forces that
shape nature and our place as people in the landscape—a theme that resonates
with the landscape paintings of Russell Drysdale.
Born in
1939, Pilven studied at the National Gallery Art School and the George Bell
School (drawing).
In the mid-1960s, Pilven left Australia
for several years of European travel, study and painting, to England, Spain
and Hydra Island, Greece. In 1972, he studied
printmaking at Morley College, London,
before returning to Australia
in 1973, to settle in Melbourne.
He was a finalist in the John McCaughey Invitation Art Prize, 1979, National
Gallery of Victoria. Neville has held twenty solo exhibitions, many with
leading Melbourne
galleries. He has undertaken commissions for Myer, Telstra Australia and
National Panasonic. His work is in collections including Artbank, Latrobe
University, Ansett, Westpac, National Bank, Telstra Australia,
Ridley, Potter Warburg and private collections in UK,
USA, Australia and Japan.
Artwork
visual and list of works on application.
See NEVILLE PILVEN's CV
View all works in this exhibition by NEVILLE PILVEN
View all work by NEVILLE PILVEN
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