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"SONGLINES :EXHIBITING TO SEPTEMBER 24"
by WALANGARI KARNTAWARRA
20-09-2008 - 24-09-2008

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"ABSTRACT SCULPTURE"
by TREVOR BERRY
21-09-2008 - 30-10-2008

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"CONTEMPORARY BRONZE"
by ANDREW ROGERS
24-09-2008 - 23-10-2008

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currentexhibitions
whitespacer

" PRIMARY MATERIAL"
by
JOHN WORTH


20-03-2007 - 18-04-2007


JW LATE NIGHT CALL
( JOHN WORTH)

Exhibition Comments:

JOHN WORTH
 
Born Wiluna, Western Australia
1965 - Left Australia, travelled to Europe.
EDUCATION AND QUALIFICATIONS
1966 - 67 Munchen Mal und Zeichnen Schule, Munich
1967 - 68 Guildford College of Art, Surrey, England - One year pre - diploma course
1968 - 71 City and Guilds of London, Diploma in Sculpture
1971 - Returned to Australia
SELECT SOLO AND GROUP EXHIBITIONS
1973 - Joint exhibition with Stanislav Rapotec at Lister Gallery, Perth
1973 - Sculpture at Launceston Gallery, Tasmania
1973 - Small bronzes, Holdsworth Gallery, Sydney
1974 - Returned to Europe
1974 - Australian Representative, Sculpture Symposium Lindabrunn, Austria
1974 - Mixed group exhibition, Die Kleine Galerie,Vienna
1975 - Returned to Australia
1975 - Exhibition of bronze and steel sculptures, Lister Gallery, Perth
1981 - Large scale steel sculpture, small bronzes and drawings, Pinacotheca, Melbourne
1984 - Small bronzes, Towen Mount Gallery, Sunshine Coast, Qld.
1994 - Large steel sculpture. Cooroy Butter Factory, Sunshine Coast
1995 - Bronze sculptures and drawing, Gomboc Gallery, Western Australia
1997 - Sculpture, painting and drawing, Gilchrist Gallery, Brisbane
1998 - Sculpture, painting and drawing. Watling Gallery, Southport Qld.
2000- Small bronze sculptures, Helen Gorry Gallery, Melbourne.
2003 - Transition - Exhibition of Painting, Bruce Watling Gallery, Brisbane
2005 – Transformed – Exhibition of recent painting at Watling Gallery, Brisbane
2005 – Exhibition of painting at Watling Gallery, Southport Qld.
2006 – Exhibition of painting, University Gallery, University of Sunshine Coast Qld.
GROUP EXHIBITIONS
1971 - Royal Exchange London Students invitation exhibition
1973 - Western Australian Institute of Technology, Perth, Invitation Exhibition
1974 - WA Artists Festival of Perth exhibition, WA Art Gallery
1976 - Inaugural Cityscape Exhibition, WA Sculptors Assn.
1976/77 - Several shows with 'Praxis group, Praxis Gallery, Perth Foundation member
1980 - Inaugural National Sculpture Triennial, La Trobe University, Melbourne
1984 - Caloundra Arts Festival
1997 - Sunshine Coast Sculptors, Maleny Qld
1998 - First prize sculpture, Caloundra Arts Festival
1999 - 'Heads', - Group sculpture show at 10 Arts Space Gallery, Sunshine Coast Qld
COMMISSIONS
1969 - Large stone carving, Surrey, England
1973 - Large ferro-cement sculpture, Hale School Perth
1974/75 - City of Vienna, marble carving at International Garden Show, Austria
PUBLIC COLLECTIONS
Hale school, Perth
Edith Cowan University, Perth
City of Vienna, Austria
Landesregierung Nieder Oesterreich,Austria
Melbourne University
Heide Museum of Modern Art, Melbourne
McClelland Regional Gallery, Victoria
WA State Gallery, two pieces.
TEACHING
1977/79 Sculpture and drawing, Fremantle Technical College
1997/98 Tutoring in sculpture, Sunshine Coast University Qld.
Various summer schools and ongoing private drawing classes
 
OTHER ACTIVITIES
1972 - Began bronze casting foundry, Fremantle
1985 - Founded Amamoor Pottery, specialising in complex mold making
1987 - Began working in bronze again - designer for Australian Fine Arts Foundry
1988 - Began casting again in own foundry, 'Studio Bronze Casting'
 

Artist Statement:

INNOVATIVE CONTEMPORARY PAINTINGS
 
After working for many years as a sculptor, I find I still carry through from that earlier discipline a strong preoccupation with surface, texture. I am not concerned with making pictures with a story.

The paint, the primary material, is paramount as I manipulate it to harmonize and tune the various elements of the work.   I hope to provoke response from the viewer that is not literal; I seek deeper reactions, these are not verbal communications.

I do not attempt to provide explanations, as I do not myself ‘understand’ these paintings. For me. a painting succeeds if it works, it is in tune with itself, and finally, it offers me glimpses of mystery. I do not need to seek some explanation, nevertheless eventually, a title comes to mind which seems to fit, to be apposite. These titles are mostly not descriptions, merely access keys.


I often use musical terms in talking about my work. There are great similarities in the underlying thinking of these different art forms; they both use such concepts as tonal values, high or low key etc.   In explaining my work I like to say that while some music is accompanied by lyrics, other music is purely instrumental. As a painter, I would say that I lean towards the latter.
 

See JOHN WORTH's CV

View all works in this exhibition by JOHN WORTH
View all work by JOHN WORTH